Abstract: All games express and embody human values, providing a compelling arena in which we play out beliefs and ideas. “Big ideas” such as justice, equity, honesty, and cooperation—as well as other kinds of ideas, including violence, exploitation, and greed—may emerge in games whether designers intend them or not. In this talk, Mary Flanagan presents Values at Play, a theoretical and practical framework for identifying socially recognized moral and political values in digital games.

Abstract: We’re no longer working in the Film Industry, the TV Industry or the Video Game Industry, the world of entertainment has converged and there is one clear through line: story. As a Transmedia Producer, Caitlin Burns has spent a decade producing intellectual properties whose stories flow across platforms. Each experience type faces unique challenges to production and together thrilling new opportunities emerge as technology and creativity combine. These are some lessons for projects large and small drawn from Studio Projects and Console Games, Digital Experiences and Live Theatre. There have never been more opportunities to reach audiences with narrative work… What does a success story look like? 

The Speaker: Susa Pop is an urban media curator and producer based in Berlin. In 2003 she founded Public Art Lab (PAL) as a network of experts from the fields of urban planning, new media arts and IT. Susa Pop is interested in creative city-making through urban media art projects that catalyze communication processes in the public space. She initiated most of the PAL projects like the Connecting Cities Network (2012-16), Media Facades Festivals Berlin 2008 and Europe 2010, Mobile Studios (2006) and Mobile Museums (2004). She also speaks worldwide at conferences and workshops and is a lecturer at several universities like University of Potsdam and Leuphana University /  Institute of Urban and Cultural Area Research. In 2012 Susa Pop co-edited and published the book Urban Media Cultures. 

Abstract: Chaired by Dr. Peter Asaro, this panel discussion by Nobel Peace Laureate Ms. Jody Williams and Mary Wareham of Human Rights Watch will look at the evolving nature of media outreach and advocacy for humanitarian disarmament. Williams and Wareham have collaborated together over the past twenty years on initiatives to ban antipersonnel landmines and cluster munitions.

Introduced by Media Studies Faculty Member Deirdre Boyle

The Speaker: Since 1966 Jill Godmilow has been producing and directing non-fiction and narrative films including the Academy Award nominated Antonia: A Portrait Of The Woman (1974); Far from Poland, (1984) the post-realist documentary feature about the rise of the Polish Solidarity movement; Waiting for the Moon(1987), a feminist/modernist fictional feature about the lives of the literary couple Alice B. Toklas and Gertrude Stein (1st prize, Sundance Film Festival); Roy Cohn/Jack Smith (1995), a cinematic translation of a theater piece by performance artist Ron Vawter; What Farocki Taught, a replica and interrogation of a short film by German filmmaker Harun Farocki about the production of Napalm B during the Vietnam war, and most recently, a 6 hour, DVD archive, Lear ’87 Archive (Condensed) about the work of the renown New York City theatrical collective, Mabou Mines, at work  on a fully gender-reversed production of Shakespeare’s “King Lear”. Among others, she has received fellowships from the Guggenheim and Rockefeller foundations. In 2003, Antonia: A Portrait of The Woman was added to the prestigious National Film Registry at the Library of Congress. 

Abstract: This talk will consider “Selma Last Year,” a largely forgotten multimedia installation that took place during the Winter of 1966 as part of the New York Film Festival’s fleeting interest in Expanded Cinema. A collaboration between the street theater producer Ken Dewey, Magnum photojournalist Bruce Davidson, and Minimalist composer Terry Riley, this groundbreaking media installation juxtaposed large scale projected images, an immersive audio collage, small scale photographic prints, 16mm documentary film, and a delayed video feedback loop to create a series of intentionally disjunctive environments.

“Epidemics, like wars, mark a generation for life.”

The AIDS Memorial Quilt was created 27 years ago as a work of community activism to protest the appalling lack of attention by the US health agencies to an increase in improbable fatalities among gay men in the United States. Its first inception unfolded in October 1987 on the National Mall in Washington DC as part of the March for Gay Rights; it included 1,920 Quilt panels. In 2014, the Quilt now encompasses more than 48,000 panels, representing 60 countries and commemorating more than 93,000 names. It is the largest living memorial of its kind in the world.